Textiles and Photography and Drawing and Film and Stories and Conversations

DIRECTIONS:  'In an anagram all the elements exist in a simultaneous relationship. Consequently, within it, nothing is first and nothing is last; nothing is future and nothing is past; nothing is old and nothing is newexcept perhaps the anagram itself.'  ― Maya Deren, An Anagram of Ideas on Art, Form and Film, 1942/7

Sonja Zelic is a visual artist whose inter-disciplinary, research based practice uses documentation, writing and image making, to explore relationships between the physical, social, and emotional environment.

She devises, develops and delivers community based initiatives that respond to people, place and circumstance, that explore and seek to engender relationships between people, and between people and place  working as an artist 'on the ground', in local communities where she has lived, worked, and studied.

She has worked in collaboration with individual specialists, from shipping pilots, and owners of small retail businesses, to dance artists, musicians/composers and writers, and with partners such as schools, residential homes, special schools, youth clubs, museums, local authorities, and other community led groups.

Born in South Wales, she studied textiles/surface design at Cardiff College of Art, and Fine Art (Critical Fine Art Practice) at Central Saint Martins College of Art & Design.


The deduction from this is, therefore, not to draw a line you do not understand and cannot explain to yourself. Be definite before everything ― let every form you put on paper be something, explain something. May Morris, Decorative Needlework, 1893